Saturday, April 25, 2015

La Vie Boheme

"Compassion, to fashion, to passion when it's new/ To Sontag/ To Sondheim/ To anything taboo


Ginsberg, Dylan, Cunningham and Cage/ Lenny Bruce/ Langston Hughes"


For those of you who have not had the pleasure of seeing the musical RENT, in the song "La Vie Boheme", the above are people listed in the song La Vie Boheme as people who inspire the Bohemianism. A song dedicated to expression, freedom, and art.


This is not the only reference to beat poets in newer media. Even the Gilmore Girls had casually placed argument between teenagers about whether the beat writers inspired "ordinary" people to see things from a different point of view, or if they were simply drunk, lazy, petty thieves. (Fun fact: a copy of "Howl and Other Poems" is the first book Jess borrows from Rory.)

From Sontag to Hughes, these men seem only to be connected in La Vie Boheme because they make music or write poetry or are novelists; perhaps, those who were able to capture "passion when it's new." The connections between Ginsberg and Dylan have been explained to us a thousand times, but what I am going to attempt is proving to you why Sondheim and Ginsberg should be mentioned together a lot more frequently.

I'm not arguing that these two would have been best friends forever– they'd probably hate each other– but a lot of their thoughts on writing are eerily similar, a poet and a composer speaking through the years to each other. To Ginsberg's “Follow your inner moonlight; don't hide the madness", Sondheim agrees "The worst thing you can do is censor yourself as the pencil hits the paper. You must not edit until you get it all on paper." They both believe in the power of art to change people and society, especially when it comes to poetry and music.

Ginsberg wrote about the madness of his generation, that poetry was the only way "people can speak their original human mind. It is the outlet for people to say in public what is known in private," argued that every person had flowers of poetry inside of them, thoughts rolling around their heads, and holiness and desire in their hearts. Sondheim once said "The dumbing down of the country reflects itself on Broadway. The shows get dumber, and the public gets used to them"– in the same way Ginsberg was upset that America takes people and turns them into workers and slaves to the idea of an "American dream", Sondheim is upset that America makes people out as not being able to understand things and that art is being changed to be simple and is making people think simpler in response.

At the heart of both these men is passion, and a desire for other people to follow the passion inside themselves as well.

2 comments:

  1. "To the stage! /To Uta. To Buddha. Pablo Neruda, / too." I think that this is a really interesting comparison to make, and definitely not two people I would put together naturally, but their ideals seem to work well together! Especially since there seems to be an admiration on Sondheim's part. I mean, "Bisexuals, trisexuals, homo sapiens, Carcinogens, hallucinogens, men, Pee Wee Herman!" It seems like their personalities would fit really well together. Throughout the play we see all kinds of different people trying to live their lives in a world that represses them, either because of their gender identity (Angel,) their sexuality (Maureen/Joanne/Tom,) their illnesses (Tom and Angel,) their addictions (Mimi/Roger,) or their financial class, they all struggle to be heard and to have their lives as artists and citizens of the community be recognized. Even Mark's first full verse in "La Vie Boheme" fits so perfectly with Ginsberg's morals, "To days of inspiration/ Playing hookey, making/ Something out of nothing/ The need to express-/ To communicate,/ To going against the grain,/ Going insane, going mad/ To loving tension, no pension/
    To more than one dimension,/ To starving for attention,/ Hating convention, hating pretension/ Not to mention of course,/ Hating dear old Mom and Dad/ To riding your bike,/ Midday past the three-piece suits/ To fruits - to no absolutes-/ To Absolut - to choice-/ To the Village Voice-/ To any passing fad/ To being an US for once ... instead of a THEM!!"

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  2. Holly -

    Great post. Very original comparison and contextualization. It'd be very interesting to be a fly-on-the-wall for a conversation between Ginsberg and Sondheim, contrasting the their chosen methodologies - the poem and the play. How do you feel the traditional reception of their respective fields plays into their desired social impacts? Is the play more socially impactful than the poem? Or vice-versa? Why is this so?

    Lauren - Excellent feedback. Nice work both of you - keep it up.

    - T

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